Inside Out is a 2015 American 3D computer-animated comedy- movie drama produced by Pixar Animation Studios and released by Walt Disney Pictures . The film was directed byPete Docter and co-directed by Ronnie del Carmen , with a screenplay written by Docter, Meg LeFauve and Josh Cooley , adapted from a story by Docter and del Carmen. Riley Andersen ( Kaitlyn Dias ), where five personified emotions -Joy ( Amy Poehler ), Sadness ( Phyllis Smith ), Anger ( Lewis Black), Fear ( Bill Hader ), and Disgust ( Mindy Kaling ) – move to lead her through life as her parents ( Diane Lane and Kyle MacLachlan ) move from Minnesota to San Francisco , and she has to adjust to her new surroundings.
Docter first started developing Inside Out in 2010, after noticing changes in his daughter’s personality as she grew older. The movie’s producteurs Consulted Numerous psychologistsIncluding Dacher Keltner from the University of California, Berkeley ,  Who Helped revise the story by Emphasizing the neuropsychological Findings That human emotions affect interpersonal relationships and Can Be Significantly moderated by Them. 
After premiering at the 68th Cannes Film Festival on May 18, 2015, Inside Out was released in North America on June 19, 2015, accompanied by the short film Lava . Critics praised the film ‘s concept, screenplay, subject matter, Michael Giacchino ‘ s musical score, and the vocal performances, particularly of Poehler, Smith, and Richard Kind .   The film grossed $ 90.4 million in its first weekend, making it the highest opening for an original title at the time  as well accumulated over $ 857 million in worldwide box office revenue, making the seventh highest-grossing movie of 2015 . The movie received Several awards, comprenant un BAFTA , Golden Globe , Critics’ Choice Award , Annie Award , Satellite Award , and Academy Award for Best Animated Feature .
Riley Andersen is born in Minnesota and Within her mind, five personifications of her basic emotions -Joy, Sadness, Fear, Disgust, Anger, and gradually come to life and influenced her actions via a console in her mind’s Headquarters. As she grows up, her experiences become memories, stored in colored orbs, which are sent into long-term memory each night. Her five most important “core memories” are all in one of the most important aspects of her life. In Headquarters, Joy acts as a de facto leader in maintaining Riley’s cheerful childhood, but she does not understand Sadness’ purpose, she often tries to keep her away from the console.
At the age of 11, Riley and her parents move to San Franciscofor her father’s new business. Riley has poor first experiences: the new house is cramped and old, the moving van is their misdirected, his father is under stress from his business, and a poor encounter at a pizza restaurant leaves his disheartened. When Sadness Begins Touching Riley’s Happy Memories, Turning Them On Riley’s first day at her new school, Sadness accidentally causes Riley to cry in front of her class, creating a sad core memory. Joy, panicking, tries to make it easy, but accidentally knocks the other core memories loose during a struggle with Sadness, deactivating the personality islands. Joy, Sadness, and the core memories are sucked out of Headquarters, and taken to the maze-like storage area of long-term memory.
The other emotions, Anger, Fear, and Disgust try to maintain Riley’s happiness in Joy’s absence with disastrous results, distancing her from her parents, friends, and hobbies. As a result, her personality is one of the first in the Memory Dump, an abyss where memories are forgotten. In desperation, Anger inserts an idea into the console prompting Riley to run away , believing that her return to Minnesota will enable her to make new happy heart memories.
Joy and Sadness Encounter Bing Bong, Riley’s childhood imaginary friend , who suggests riding the train of thought back to Headquarters. The three eventually catch the train, but it is halted when Riley falls asleep. They succeed in manipulating Riley’s dreamsto wake up the train, but it is derailed when the “Honesty Island” collapses (when Riley steals her mother’s credit card and begins to run away). In desperation, Joy tries to ride a “recall tube” back to Headquarters, but abandons Sadness, which Joy believes will hurt Riley. But as it takes off, the ground below the tube collapse, breaking the tube and the plunging Joy and Bing Bong into the Memory Dump. At the bottom, Joy Then begins to lose hope and breaks into tears and scream, aim Discovers a sad memory of an ice hockey game That est devenu happy When Riley’s relatives and friends comforted her. Joy realizes that Sadness serves an important purpose: to create empathy in others when Riley is emotionally overwhelmed and needs help.
Joy and Bing Bong try to use Bing Bong’s old wagon rocket to escape the Memory Dump, but after several tries, Bing Bong makes their combined weight, and sacrificing himself to allow Joy to escape. Joy reunites with a despondent Sadness and manages to get to Headquarters, only to discover that Anger’s idea has disabled the console, rendering Riley apathetic . To the surprise of the others, Joy hands control of the console to Sadness, who is able to successfully extract the idea, reactivating the console and prompting Riley to return home.
As Sadness reinstalls the core memories, turning them sad, Riley arrives home to her parents and breaks down crying, confessing that she misses Minnesota. As her parents comfort her, they tell her that they also miss Minnesota and Joy and Sadness work together, creating a new core memory that combines their emotions; Riley’s acceptance of her new life in San Francisco. In the end, Riley has made new friends, and has adopted new friends, and has adopted a few new ones (fueled by new, more nuanced core memories of combinations of her emotions). Inside Headquarters, Riley to lead a more emotional complex life.
- Amy Poehler as Joy 
- Phyllis Smith as Sadness 
- Richard Kind as Bing Bong 
- Lewis Black as Anger 
- Bill Hader as Fear 
- Mindy Kaling as Disgust 
- Kaitlyn Dias and Riley Andersen 
- Diane Lane as Riley’s Mother 
- Kyle MacLachlan as Riley’s Father 
- Paula Poundstone as Forgetter Paula 
- Bobby Moynihan as Forgetter Bobby 
- Paula Pell as Dream Director, Mother’s Anger, Teacher’s Disgust and Teacher’s Sadness 
- Dave Goelz as Frank Subconscious Guard 
- Frank Oz as Subconscious Guard Dave 
- Josh Cooley as Jangles the Clown 
- Flea Mind Worker Cop Jake 
- John Ratzenberger as Fritz 
- Carlos Alazraqui as Father’s Fear and Brazilian Helicopter Pilot 
- Nick Pitera and Andrea Datzman as TripleDent Gum Singers
- Lori Alan as Mother’s Sadness 
- Peter Sagal as Clown’s Joy 
- Rashida Jones as Cool Girl’s Emotions 
Several of the filmmakers also contributed some voice acting, including director Pete Docter as Father’s Anger,  and co-writer Ronnie del Carmen as one of the abstract thought mind workers. 
As a child, director Pete Docter With His family relocated to Denmark When His Father Moved to study the music of Carl Nielsen .  While his sisters had an easy time adjusting to the new surroundings, Docter felt he was judged constantly by peers.  While other kids were interested in sports, the author of the document was one of the hottest people in the world.  His social problem ended by high school. 
In late 2009, Docter noticed his pre-teen daughter, Elie, exhibiting similar shyness.  “She started getting more quiet and reserved, and that, frankly, triggered a lot of my own insecurities and fears,” he said.  He imagined what happens in the human mind when emotions set in. The idea to depict it through excited animation Docter, who thought it was the ideal form to portray “strong, opinionated, caricatured personalities.”  Jonas Rivera, producer and Ronnie del Carmen, a secondary director. They consulted Paul Ekman , a well-known psychologist who studies emotions, and Dacher Keltner , a professor of psychology at theUniversity of California, Berkeley . Ekman had early in his career identified six core emotions-anger, fear, sadness, disgust, joy, and surprise . Docter found surprise and fear to be along with others.  Other emotions considered for inclusion during the development process were schadenfreude , ennui , pride, and hope.  Keltner focused on sadness being an emotion that strengthens relationships.  Both emphasized how emotions are organized and the structure of interpersonal interactions. 
The smash success of 2009 Movie Docter’s Up Encouraged Those at Pixar to create to allow Docter Reviews another movie with a more sophisticated story.  Inside Out is the first Pixar movie without input from co-founder and form Apple CEO Steve Jobs , Who died in 2011. In addition, the movie Did not-have as much input from chief creative officer John Lasseter , Who Was Focused on restructuring Walt Disney Animation Studios in Los Angeles at the time of ict production.  Executives at Disney and Pixar were positive at the proposal of making Inside Out , but it would be difficult to market.
Docter recruited a story crew to help develop the movie’s plot line. Though animation as an industry had been dominated by men, The choice to focus the film on a girl who has been asked to give age 11 to 17 are more attuned to expressions and emotions than others. The idea to have Riley play hockey cam from Del Carmen, who observed that the sport is very popular in Minnesota. They try to stray away from stereotypically feminine interests, such as the color pink or dresses.  Riley’s initial ideas for the film, Riley, falling into a deep depression. 
The film was first storyboarded for a period of two to three years, all the while undergoing screenings for Pixar’s “Brain Trust,” a small group of creative leaders at Pixar. After multiple screenings and suggestions from other filmmakers, the picture was put into production. It was again evaluated three months into that process. Kevin Nolting, editor of the movie, estimated there were seven versions of Inside Out created before it even went into production.  The story team is trying to create as much contrast as possible.  They found Joy the most complex character to write for, as she showed a broad range of “happy feelings.” The earliest idea presents in the final film is that Joy holds onto a youth too long, setting about a “social storm” for Riley.  It was not until several years later that they came to the concept of moving to a new place, which created an external conflict that made the story easier to write. Initially, this crisis was to be set at a Thanksgiving Day pageant, in which Riley was hoping to be cast as his lead role, the turkey. This idea is too “weird” and it was replaced. 
Riley’s mindset of the development of Riley’s mind and her personal troubles. The concept of “personality islands” helped develop the film’s emotional stakes, as they directly affect events inside her mind and in her life. In Idea Fields, “where they would” cultivate new ideas, “much like a farmer would cultivate crop. The character of Bing Bong-a discarded old imaginary friend-cam about Riley’s mind. It was difficult to achieve the correct tone for the film; for example, viewers could not be distracted by Joy’s nature or feel negative about the mess she helps steer Riley into. Rivera credited with the casting of Amy Poehler, in addition to the idea of moving, with helping the film find the right tone. 
An early version of the film focused on Joy and Fear getting lost together, as it seemed to be the most humorous choice. By July 2012, the project was set for an evaluation with other Pixar filmmakers. It was decided that he would get fired. He took a long walk on Sunday, where he began to consider himself a failure, and that he should resign from the film.  While pondering what he would miss about Pixar, he concluded that he would miss his coworkers and friends most of all. He soon reaches a breakthrough: that emotions are meant to connect people together, and that relationships are the most important things in life. He decided to replace Fear with Sadness, which is crucial to renewal. He puts Rivera and Del Carmen on the road to explain his plans, and to his surprise, they react positively to it. At the screening, he informed his superiors that new plans for the film were in order. Although it was a “scary moment”, the film remained in production. 
Screenwriter Michael Arndt was working on a film on the screen, calling it “a brilliantly creative idea but also incredibly challenging,” but left the project in early 2011, adding that “knowing the Pixar process, there is not a single word” [I wrote] that remains in the final script!  Josh Cooley and Meg LeFauvewere credited as co-writers of the screenplay following their contributions during the rewrite. Like Docter, Cooley and LeFauve. Cooley said “… we treated the emotions like parents for Riley and because we are parents of parents, we are just living on our own.”  Despite his departure, Arndt received an ‘Additional Story Material’ credit.
The film ‘s voice cast of emotions, Amy Poehler , Black Lewis , Mindy Kaling , Bill Hader , and Phyllis Smith , were first announced in August 2013.  With the release of the film’s trailer in December 2014, it was revealed that Diane Lane and Kyle MacLachlan were cast in the movie as Riley’s parents. 
Hader, who had previously gone into Monsters University , was cast to voice Fear, a role that he felt he “weaseled” his way into by being a “huge fan” of Pixar’s filmography.  Hader toured the studio over a week, and also “helped out” in the story room.  Veteran Amy Poehler, whom the team viewed as perfect for the character of Joy , was invited to contact Saturday Night Live ( SNL ). “They said: ‘Would you mind calling Amy? We do not want to call her and have her think we’re some weirdo,'” he recalled. He phoned Poehler and explained the story to her, noting that her role would be driving the force in the film. When the story was pitched to Kaling, it broke out in tears, explaining “I just think it’s really beautiful that you’re making a story that’s telling you that it’s hard to grow up and it’s OK to be sad about it.” 
Smith Was Chosen by Rivera while He Was watching Bad Teacher and saw her lunch in a stage. He called Docter and said “I think we found our Sadness.”  As the film contains several veterans of SNL , the film is a live television program. 
Richard Kind , who had previously starred in A Bug’s Life , The Cars series, and Toy Story 3 , portrayed Bing Bong. Filed under the title of the former president of the court of law. 
The film’s art design is intended for 1950s Broadway musicals .  Docter imagined that with emotions for characters, they could “push the level of caricature both in design and in the style of movement [they’d] never done before.” To this end, they emulated Tex Avery and Chuck Jones animators .  Shawn Krause and Victor Navone, who are the authors of the RenderMan model. This required an artist to draw on characters in the film during dailies , using a Wacom Cintiq . One of the first scenes the team worked on the scene, in which viewers rapidly switch between the real world and Headquarters inside the family’s minds. 
In contemplating how the mind would be depicted, the filmmakers concentrated on the word electrochemical ; Ralph Eggleston , the film’s production designer, explained, “It’s about energy and energy-based, excitable.”  Each emotion has a glowing, “effervescent quality” to them (particularly Joy), which was difficult to animate as it was viewed as distracting.  “The characters are created with this energy because they are trying to represent what they would be like.” They are made up of particles that actually move. remarked. The team worked for eight months on Joy’s “sparkly” will, but it was prepared to delete it, as it would affect the film’s budget. However, it is requested that it be applied for each emotion. “You could hear the core technical staff just hitting the ground, the budget falling through the roof,” recalled Eggleston. 
The film is localized to accommodate international audiences: in the Japanese version, for example, Riley is disgusted by green bell peppers , rather than by broccoli (the only topping offered by the local pizzeria), to reflect the fact that broccoli is less undesirable to Japanese children. 
Michael Giacchino composed the film’s score; This was his fifth collaboration with Pixar and his second collaboration with Docter after Up . The producers first with Giacchino to explain the film’s concept and screen it for him. In response, he composed an eight-minute suite of music, unconnected to the film, based on his emotions.  Rivera noted that both Giacchino and Docter were musicians, they discussed the film in terms of story and character. 
All music composed by Michael Giacchino .
|1.||“Bundle of Joy”||2:48|
|3.||“Nomanisone Island / National Movers”||4:20|
|6.||“First Day of School”||2:02|
|8.||“Goofball No Longer”||1:11|
|11.||“Chasing the Pink Elephant”||1:55|
|14.||“Down in the Dumps”||1:47|
|16.||“Dream a Little Nightmare”||1:50|
|17.||“The Subconscious Basement”||2:01|
|18.||“Escaping the Subconscious”||2:09|
|19.||“We Can Still Stop Her”||2:54|
|20.||“Tears of Joy”||3:39|
|22.||“Chasing down Sadness”||1:45|
|23.||“Joy Turns to Sadness / A Growing Personality”||7:49|
|24.||“The Joy of Credits” (includes the hidden track “TripleDent Gum Jingle” performed by Nick Pitera and Andrea Datzman at 8:05)||8:18|
Inside Out was first announced in August 2011 at the D23 Expo . In December 2012, Bleeding Cool reported the title of the film would be the Inside Out ,  while ComingSoon.net reported it would be Inside Out the Following February.  In April 2013, Disney officially announced the title on Twitter as Inside Out , during CinemaCon . Prior to its release, the film underwent a test screening for children, which is said to be too complex for younger audiences-a fear when the audience reacts positively to the picture. 
The film premiered on May 18, 2015, at the 68th Cannes Film Festival , in an out-of-competition screening.  In the United States, it premiered on June 8, 2015, at the El Capitan Theater in Hollywood ,  and received a wide theatrical release starting on June 19, 2015, in 2D, 3D, and select IMAX 3D theaters .   It was the first animated movie to be released in Dolby Vision screen in Dolby Cinema and the second for Disney Following Tomorrowland .  Also notable was the fact that it was one of two feature filmsThe Good Dinosaur ) released by Pixar in the same year, a first for the company. 
A short animated movie, titled Lava , accompanied Inside Out during its theatrical release. This musical love story was directed by James Ford Murphy and produced by Andrea Warren. The story was inspired by the insatiable beauty of tropical islands and the explosive allure of ocean volcanoes, and takes place over millions of years. 
On June 18, 2015, Skype added the faces of the five “emotions” of the movie as emoticons available for use in icts IM Service for the next three months,  later leaving ’em as standard.
Inside Out Was released by Walt Disney Studios Home Entertainment is Blu-ray (2D and 3D) and DVD on November 3, 2015,  while a digital release Was released on October 13, 2015.  The Pixar’s theatrical shorts Lava ,  was included. A short film set in the world of Inside Out , titled Riley’s First Date? ,  and directed by Josh Cooley , the head of story on the film,  was included exclusively in the Blu-ray and digital release. 
An Inside Out play set has been made available for Disney Infinity 3.0 . 
A mobile game , Inside Out: Thought Bubbles , was released on June 18, 2015 by Disney Mobile Games on the Apple App Store , Google Play , Amazon App Store , Windows Store , and Windows Phone Store . Playing as Riley’s emotions, players have to match and save memory through 485 levels (as of May 2016) inspired by the film’s locations. 
Inside Out grossed $ 356.5 million in the USA & Canada and $ 501.1 million in other countries, for a worldwide total of $ 857.6 million against a budget of $ 175 million.  Deadline.com calculated the net profit of the film to be $ 279.51 million, when factoring together all expenses and revenues for the film. 
Worldwide, it is the seventh-highest-grossing movie of 2015 (Placing second Among animated film behind only Minions ),  the fourth-highest-grossing Pixar film,  and the thirteenth-highest-grossing animated movie of all time.
Inside Out opened across 3,946 theaters in the United States and Canada, of which 3,100 showed the film in 3D .  It grossed $ 3.7 million during its Thursday night showings. This was a record Among Pixar movies HAD That Thursday night showings, purpose behind Toy Story 3 ‘ s $ 4 million midnight showing.  The film then earned $ 34.3 million on its opening day, which is the third largest opening day for a Pixar movie behind Toy Story 3 ($ 41.1 million) and Finding Dory ($ 54.7 million).    It ended its opening weekend in second place with $ 90.4 million, behind the second-weekend gross of dinosaur thrillerJurassic World ($ 106.6 million).  Although it was Pixar’s first film not to debut at No. 1, its opening-weekend was still the biggest single for a Pixar original movie (breaking The Incredibles ‘ record), the studio’s third-biggest of all time (behind Finding Dory and Toy Story 3 ), the biggest weekend debut for a movie That did not debut at No. 1 (breaking The Day After Tomorrow ‘ s record),  and the top opening for Any original film, live-action or Otherwise , based on sourced material, eclipsing the $ 77 million debut of Avatar (overtaken by The Secret Life of Pets ).   The film’s successful opening has been attributed to Cannes premiere, CinemaCon press screening, its 98% Rotten Tomatoes score, good word-of-mouth ,Father’s Day weekend, and a successful Tuesday-night Fathom screening.   In its second weekend , the film fell by 42% to $ 52.3 million and still held the second spot behind Jurassic World ;  the rest of the week. Inside Out reached the No. 1 spot at the box office in its third weekend with $ 29.8 million. Overall, IMAX contributed 10% or $ 36 million (as of September 4, 2015) of its total North American revenue. 
It ended up grossing a total of $ 356.5 million and became the third-highest-grossing Pixar movie (behind Finding Dory and Toy Story 3 ),  the fourth-highest-grossing movie of 2015,  the ninth-highest- grossing animated film of all time (2015),  and the 35th-highest-grossing movie of all time . 
Outside North America
Outside North America, the film earned an estimated $ 40.3 million on its opening weekend from 37 countries, which is 42% of the entire international market.  The largest openings were recorded in China ($ 11.7 million); the UK, Ireland and Malta ($ 11.4 million); Mexico ($ 8.6 million), Russia and the CIS ($ 7.6 million), Italy ($ 7.4 million), Germany ($ 7.1 million), and South Korea ($ 5.1 million).       In total earnings, its largest markets outside the US and Canada are the United Kingdom ($ 58.1 million), South Korea ($ 31.7 million), and Mexico ($ 31 million).    It became the highest-grossing Disney film or movie of all time in Mexico (ahead of Frozen ), the Philippines (ahead of Big Hero 6 ),  India, and Ukraine and in Russia, it is the second-highest- grossing Disney Pixar movie and the first Pixar movie to exceed one billion rubles. 
Review aggregator website Rotten Tomatoes gives a rating of 98%, based on 328 reviews, with a rating average of 8.9 / 10. The site’s critical consensus reads, “Inventive, gorgeously animated, and powerfully moving, Inside outis another outstanding addition to the Pixar library of modern animated classics.”  The film also topped the site’s Top 100 Animation Movies list  and occupies the third-highest position of a film released in the 21st century on the Top 100 Movies of All Time list at number 8.  On Metacritic , which assigns a normalized rating, the movie has a score of 94 out of 100, based on 55 reviews, indicating “universal acclaim.” In CinemaScore polls, cinema audiences gave Inside Out an average score of “A” on an A + to F scale. 
Prior to its release, there was concern among the general public that Pixar movies were declining in quality, with an over-reliance on sequels.  Likewise, DreamWorks Animation was beginning to flounder in the early 2010s as several movies performed at the box office, leading to speculation that the “genre” of computer animation was “in a funk.”  Inside Out has been hailed by film critics.     
Following an advance screening at CinemaCon on April 22, 2015, the film was well received by audiences. Praise was intended for its smart storyline, although some wondered whether the concept was too complicated for young people.   After premiering at the 2015 Cannes Film Festival, the film attracted praise from film critics. Peter Debruge of Variety was effusive, calling it the “greatest idea” and “a stunningly original concept that […] promises to forever change the way people think about the way people think.”  The Chicago Tribune ‘ s Michael Phillips called Expired it the studio’s best since Up(also directed by Docter), “consistently inventive and corrective to recent, stockholder-driven inferiorities.”  Todd McCarthy of The Hollywood Reporter is an “audacious concept” that stands among the most “conceptually trippy films” for family audiences.  “With its quite literally cerebral bent, I think Inside Out might be some disorder fully connecting with younger kids, but grown-ups are likely to shed more than a few tears,” remarked Richard Lawson of Vanity Fair .  The Guardian ‘ s Peter Bradshawfelt it “buoyant and sweet-natured,” though Slightly inferior to Pixar s best. Ignatiy Vishnevetsky of the AV Club , while overall positive on the film, said it “trades the wordless gracefulness and sense of discovery of the studio animation’s best work for explanatory voice-over and nonstop exposure,” also arguing that the Pixar animators could have been more visually adventurous to match the conceptual ambition. 
As the film went into wide release, it continued to attract acclaim. Aside from naming it the best movie of 2015, Kristopher Tapley of HitFix called it “one of the best movies of the 21st century.”   AO Scott of The New York Times The movie “An absolute delight,” “Residing for the sake of defense”, “An argument for the necessity of melancholy dressed in bright colors of entertainment.”  The Washington Post ‘ s Ann Hornaday regarded it “that rarely transcends icts That movie role as pure entertainment To Become Genuinely something cathartic, therapeutic Even, Richard Roeper of the Chicago Sun-Times found it “bold, gorgeous, sweet, funny, [and] sometimes heartbreakingly sad,” deeming it one of the best movies of the year.  Entertainment Weekly ‘ s Chris Nashawathy extolled it as “transcend and touching […] so smart and clever psychologically.”  Time ‘ s Mary Pols felt it was “almost hallucinogenic, entirely beautiful” work that “challenges the conventions of family movies.  Christopher Orr of The Atlantic“Pixar once again at the top of its game, telling the kind of thoughtful, moving meta-story it’s hard to imagine being produced anywhere else.”  Wai Chee Dimock in the Los Angeles Review of Books compared the film to the work of neuroscientists Antonio Damasio , Dacher Keltner, and Oliver Sacks .  Betsy Bozdech of Common Media Sense gives the movie 5 stars, stating that “‘Inside Out’ is creative, clever, heartfelt, and beautifully animated.” 
Recognition and accolades
Inside Best Best Picture Best Picture, Twenty One Best Screenplay, and Best Animated Feature Nominations from over 50 different organizations and associations.  It won the Academy Award for Best Animated Feature and was nominated for the Academy Award for Best Original Screenplay at the 88th Academy Awards held in 2016.  It received ten out of fourteen Annie Awards at the 43rd Annie Awards , including Outstanding Achievement in Directing in an Animated Production Feature for Docter, Outstanding Achievement in Voice Acting in an Animated Feature Productionfor Smith and Best Animated Feature .   The American Film Institute featured Inside Outas one of the Top Ten Films of the Year . 
The film received the Golden Globe Award for Best Animated Film Feature at the 73rd Golden Globe Awards .  Received Three Critics’ Choice Movie Award nominations including the win for Best Animated Feature .  The New York Film Critics Circle Awarded Inside Out for Best Animated Film  and it was named Film of the Year by National Board of Review also Best Animated Film .  The film was runner-up for Best Animated Film atLos Angeles Film Critics Association Awards  and San Diego Film Critics Society Awards .   It received four nominations from Satellite Awards including Best Original Screenplay , Best Animated or Mixed Media Feature , and Best Original Score . It took the Satellite Award for Best Animated or Mixed Media Feature.  The movie won the award for Best Animated Film at the 69th British Academy Film Awards in London, England,  and aussi Was Nominated for Best Original Screenplay (losing toSpotlight ).  The film also received a Robert Award for Best American Film Nomination and a David of Donatello for Best Foreign Film Nomination, the Danish and Italian equivalent of the Academy Awards, respectively.  
In 2016, the film was ranked at number 41 on BBC’s 100 Greatest Movies of the 21st Century list, a poll of 177 film critics from around the world.  It was also named the seventh “Best Film of the 21st Century So Far” in 2017 by The New York Times . 
On June 24, 2015, when asked if there are plans for a possible sequel, Pete Docter replied, “There’s no such idea of me at this point,” adding, “Never say never.”  On January 14, 2016, Docter stated that it is possible, and that he and Pixar will explore ideas, saying: “We’ll see if it’s all going up. , so let’s make another one. ‘ What happens when you’re doing these things, you know, you know, you know, you know, you know, you know, you know, you’re going to be there. ”  In a July 2016 interview, Pixar President Jim MorrisSaid That while demand is high for a sequel, the company HAS icts committed resources to original movie Several concepts from June 7, 2019 onward, and That no sequels to-any of Pixar’s other movies Including Inside Out Were being white contemplated at this time. 
On June 20, 2017, a woman named Denise Daniels and Disney for Pixar for stealing an idea from her creation The Moodsters for the film.